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German Women's Writing in the Twenty-First Century (eBook)

CHF 39.35
Verlag: Abingdon Press
ISBN: 978-1-78204-486-4
GTIN: 9781782044864
Einband: PDF
Verfügbarkeit: Download, sofort verfügbar (Link per E-Mail)
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Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived.



What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With aneye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyün, Sibylle Berg,Thea Dorn, Tanja Dückers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Rávic Strubel -- authors who, through their writing or their roles in the media, engage with questionsof what it means to be a woman writer in twenty-first-century Germany.

Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsay Lawton, Sheridan Marshall, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone.

Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Associate Professor of German at the University of Portland.

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Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived.



What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With aneye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyün, Sibylle Berg,Thea Dorn, Tanja Dückers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Rávic Strubel -- authors who, through their writing or their roles in the media, engage with questionsof what it means to be a woman writer in twenty-first-century Germany.

Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsay Lawton, Sheridan Marshall, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone.

Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Associate Professor of German at the University of Portland.

Autor Baer, Hester (Hrsg.) / Stewart, Alexandra Merley (Hrsg.)
Verlag Abingdon Press
Einband PDF
Erscheinungsjahr 2015
Seitenangabe 218 S.
Ausgabekennzeichen Englisch
Masse 3'617 KB
Plattform PDF
Reihe Studies in German Literature Linguistics and Culture

Über den Autor Hester (Hrsg.) Baer

Hester Baer is Professor of German and Cinema & Media Studies at the University of Maryland, USA. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (2009), German Cinema in the Age of Neoliberalism (2021), and a volume for the series German Film Classics on Ula Stöckl's The Cat Has Nine Lives (2022). She currently serves as co-editor of The German Quarterly.Jill Suzanne Smith is Associate Professor of German and a contributing faculty member in Cinema Studies, Gender, Sexuality, and Women's Studies, and Urban Studies at Bowdoin College, USA. She is the author of Berlin Coquette: Prostitution and the New German Woman 1890-1933 (2013) and a volume editor for the Bloomsbury series A Cultural History of Prostitution.

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