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Smell, Memory, and Literature in the Black Country von Sebastian (Hrsg.) Groes

CHF 25.50
ISBN: 978-3-030-57211-2
GTIN: 9783030572112
Einband: Kartonierter Einband (Kt)
Verfügbarkeit: Folgt in ca. 10 Arbeitstagen
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From Banks¿s brewery¿s yeasty stink to groaty pudding to spicy curry, Sebastian Groes and R. M. Francis have assembled a new literary history of the smells and (childhood) memories that belong to the Black Country. This often overlooked region of the United Kingdom at the frontlines of post-industrial upheaval is a veritable treasure trove for studying the relationship between olfaction and place-specific memory. Smell, Memory, and Literature in the Black Country is an interdisciplinary exploration of the relationship between smell and memory in which the contributions consider both personal and communal memory. Drawing on psychology, neuroscience, memory studies, literary studies and philosophy, the critical essays reconsider psychogeography through cutting-edge sensory and philosophical engagements with physical space, smell, language and human behaviour. The creative contributions from writers including Liz Berry, Narinder Dhami, Anthony Cartwright, and Kerry Hadley-Pryce meditate on the senses, place, and identity. Not only does this book illustrate the rich cultural heritage of the Black Country, it will also appeal to those interested in place writing. The book is prefaced by Will Self.

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From Banks¿s brewery¿s yeasty stink to groaty pudding to spicy curry, Sebastian Groes and R. M. Francis have assembled a new literary history of the smells and (childhood) memories that belong to the Black Country. This often overlooked region of the United Kingdom at the frontlines of post-industrial upheaval is a veritable treasure trove for studying the relationship between olfaction and place-specific memory. Smell, Memory, and Literature in the Black Country is an interdisciplinary exploration of the relationship between smell and memory in which the contributions consider both personal and communal memory. Drawing on psychology, neuroscience, memory studies, literary studies and philosophy, the critical essays reconsider psychogeography through cutting-edge sensory and philosophical engagements with physical space, smell, language and human behaviour. The creative contributions from writers including Liz Berry, Narinder Dhami, Anthony Cartwright, and Kerry Hadley-Pryce meditate on the senses, place, and identity. Not only does this book illustrate the rich cultural heritage of the Black Country, it will also appeal to those interested in place writing. The book is prefaced by Will Self.

Autor Groes, Sebastian (Hrsg.) / Francis, R. M. (Hrsg.)
Verlag Springer International Publishing
Einband Kartonierter Einband (Kt)
Erscheinungsjahr 2021
Seitenangabe 220 S.
Lieferstatus Folgt in ca. 10 Arbeitstagen
Ausgabekennzeichen Englisch
Abbildungen Paperback
Masse H21.0 cm x B14.8 cm x D1.3 cm 291 g
Auflage 1st ed. 2021

Über den Autor Sebastian (Hrsg.) Groes

Sebastian Groes is Professor of English Literature and Director of the Centre for Transnational and Transcultural Research at the University of Wolverhampton, UK. He is the author of The Making of London (Palgrave Macmillan 2011), and British Fiction in the Sixties (2016), and is the editor of Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities, and Sciences (Palgrave Macmillan 2016). R.M. Francis is Creative Writing Lecturer at the University of Wolverhampton, UK. He is the author of five poetry pamphlets: Transitions (2015); Orpheus (2016); Corvus' Burnt-Wing Love Balm and Cure-all (2018); Lamella (2019); and Fieldnotes from a Deep Topography of Dudley (2019). His debut novel, Bella, was published in 2020 by Wild Pressed Books.    

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