Edinburgh University Press

Alexander Hamilton presents his early formative years, sharing the way his engagement with the cyanotype process has informed his art practice, from his time at Edinburgh College of Art, to his program of exhibitions and residencies, through to his work within the field of public arts. This personal history is combined with essays by academics, scholars and curators who engage with the intellectual roots of his work and practice. A comprehensive selection of Hamilton's photography, including his unique plant-based cyanotypes, completes this beautiful book.

Authored and guest-edited by Alexander Hamilton, In Search of the Blue Flower: Alexander Hamilton and The Art of Cyanotype is part of the Scottish Photographic Artists Series, with guest contributions by academics and curators, individuals who have written on Hamilton and his work during a career currently spanning 50 years. In this lavishly illustrated book with 140 coloured images, the author presents his early formative years, recounting the way his engagement with the cyanotype process has informed his art practice, through his time at Edinburgh College of Art, to his program of exhibitions and residencies, and finally his work within field of public arts.The book includes contributions from Richard Ovenden, Julie Lawson, Christian Weikop, Mike Ware, James Berry, Vanessa Sellars, Ewan McArthur, Gemma Rolls Bentley, Jaromir Jedlinski, Piotr Tryjanowski, Christine Gunn, and Sara Stevenson. The final section of the book presents a comprehensive selection of his cyanotypes from his earliest creations in 1971 through to the present day.Scottish Photographic Artists will focus upon eminent photographers who have gained an international reputation through exhibitions, awards, and publications. These artist photographers will be afforded a monographic study that will explore their work in depth, while showcasing the variety and inventiveness of their art.The books in this series have a sympathetic format and design. Sara Stevenson, the past curator of photography at the National Galleries of Scotland, will introduce each photographer. Further writings will include a reflective essay, by the artist, on the development and content of their creative practice. This review will be accompanied by critical insights from academics, curators, and gallerists that will provide a platform of interpretation and analysis. Each book will be fully illustrated with a 'gallery' of the artist's finest images.The first book in this series will consider the exquisite cyanotypes of Alexander Hamilton (Chair of Studies in Photography), and Hamilton will subsequently act as Series Editor. Further publications will reflect upon the photographs of acclaimed photographers, including David Williams, Robin Gillanders, Jane Brettle, and others. All books are richly illustrated and beautifully bound in hard cover format. They are also available in companion e-format.This is an exciting development in publishing. It will demonstrate the relevance of Scottish art within an international context, while recognising the means by which photography continues to have a critical determination in the contemporary world.

Wolfram Hogrebe offers a robust, uncompromisingly metaphysical reading of Schelling's unfinished masterpiece, The Ages of the World, to propose a completely contemporary epistemology. By translating Schelling into the language of predicate logic and philosophy of language, Hogrebe also defends its metaphysical claims, equally foregrounding the relevance and challenges that Schelling's work presents to contemporary analytic philosophy. Originally published 35 years ago, Hogrebe's book remains ahead of his time. It masterfully bridges the analytic and continental divide - before most philosophers considered this a possibility - and successfully demonstrates Schelling's contemporary relevance and vitality. Included in this translation is a new author's preface to the English edition, his preface to the Italian translation (2011), an introduction to the philosophical themes of the book by the translators who are prominent Schelling scholars, a Postface by Markus Gabriel, Hogrebe's colleague in Bonn, along with a readers' guide to Hogrebe's major works.

Exploring the past and rethinking the future of ancient sport studiesWhat did sporting competition and athletic education in the ancient world really involve? Why was it so highly valued? How did ancient athletic practices change over time? This volume answers these questions by bringing together a collection of important articles and book extracts by American and European scholars, covering gymnasium education, festival competition and victory, the role of athletic activity in conceptions of ancient identity, and the reception of the ancient athletic heritage in the modern world.Greek Athletics will appeal to anyone interested in ancient Greek history and ancient sport in particular.Key features:Offers a vivid summary of the key features of ancient athletic culture, together with discussion of recent progress in the field and possible future developmentsIncludes extensive supporting material: glossary, chronology, suggestions for further reading and comprehensive mapsFour pieces are translated for the first time from French and German into EnglishIncludes brief editorial discussions of each article

Huda J. Fakhreddine explores the 'new genre' of the Arabic prose poem as a poetic practice and a critical lens. This poetic form gave rise to a profound, contentious and continuing debate about Arabic poetry: its definition, its limits and its relation to its readers. Fakhreddine examines the history of the prose poem, its claims of autonomy and distance from its socio-political context, and the anxiety and scandal it generated.

In two volumes, Geoffrey Bennington and Kas Saghafi present the majority of Jacques Derrida's untranslated, and previously uncollected, essays and interviews. Dating mostly from 1992 to 2004, these writings offer a fuller picture of Derrida's biography, theoretical engagements and the stakes of his social and political investments. In the interviews in Essays, Interviews, and Interventions by Jacques Derrida: Thinking What Comes, Volume 1, Derrida proposes the foundation of a new European political culture, discusses the strengths of Nelson Mandela, and reflects on the archive. He also considers his experience of political life, his relationship to institutions (particularly the College international de philosophie), and his views on 'intellectualism'. Whether writing about public health, Palestine, or the notion of the promise, Derrida is razor-sharp and impassioned. These volumes allow significant insight into his mature thought.

The first of two essential student volumes exploring current perspectives in Scottish legal history The discipline of Scottish legal history involves the study of a complex mixture of history, power, place and people. This accessible and readable volume sets out to survey the current state of the subject and engages with wide-ranging debates and contexts within the wider European setting. The roots of a law commonly applicable amongst all subjects of the Scottish king can be traced to the 1100s. How and why did that law come into being? How was it used in dispute resolution during the medieval and early modern periods? Furthermore, how did its authority develop over the centuries and inform the modern laws of Scotland? This volume explores such questions and introduces readers to the history of the Scottish legal system prior to 1707, the year of parliamentary union with England. The volume is split into four chronological periods: The Origins of the Scottish Common Law to c. 1230 The Consolidation of the Common Law, c. 1230-c. 1450 The Transformation of the Scottish Common Law and the Session, c. 1450-c. 1580 Regal Union with England, c. 1580-1707 Volume Two examines how that union and a range of other factors shaped the law used in Scotland today. Key Features ● The first of a two-volume Scottish legal history written for both students and for wider academic reference ● Division of material into easily digestible sections and into broad historical periods ● Perspective from legal history (rather than political, social or economic history) ● Use of individual case studies to clarify technical aspects of legal history Andrew R. C. Simpson and Adelyn L. M. Wilson are both Lecturers in Law at the University of Aberdeen. Cover image: The Old Tolbooth. Engraving based on an eighteenth-century painting by Alexander Naysmith, image courtesy of Wikimedia Commons Cover design: [EUP logo] edinburghuniversitypress.com ISBN (cover): 978-0-7486-9740-3 ISBN (PPC): 978-0-7486-9739-7 Barcode

'A wide-ranging collection of some of the best critics in English on Britain's preeminent political novelist. I particularly appreciate the international dimension, Trollope in and on Asia, Australasia, Latin America and Russia.' Regenia Gagnier, author of Literatures of Liberalization: Global Circulation and the Long Nineteenth Century Explores the many ways in which Anthony Trollope is being read in the twenty-first century Since the turn of the century, the Victorian novelist Anthony Trollope has become a central figure in the critical understanding of Victorian literature. By bringing together leading Victorianists with a wide range of interests, this innovative collection of essays involves the reader in new approaches to Trollope's work. The contributors to this volume highlight dimensions that have hitherto received only scant attention and in doing so they aim to draw on the aesthetic capabilities of Trollope's twenty-first-century readers. Instead of reading Trollope's novels as manifestations of social theory, they aim to foster an engagement with a far more broadly theorised literary culture. Key Features - The most innovative collection of original essays on Anthony Trollope to date - Enables the reader to see the direction of Trollope studies and Victorian studies in the twenty-first century - Situates Trollope's work in newly emerging critical contexts, such as media networks and economics - Makes use of pioneering developments in stylistics, ethics, epistemology, and reception history Frederik Van Dam is Assistant Professor of European Literature at Radboud University Nijmegen. David Skilton is Emeritus Professor of English at Cardiff University. Ortwin de Graef is Professor of English Literature at the University of Leuven and director of the Paul Druwé Fund for Trollope Studies. Cover image: (c) Simon Grennan Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-2440-0 Barcode

'Rejecting all form of transcendence or messianism and providing us with a highly original reading of Agamben, De Boever proves that sovereignty implies its own transformability.' Catherine Malabou, Kingston University Does sovereignty have a future in the twenty-first century? Through a sustained engagement with the work of the Italian philosopher Giorgio Agamben, and against the background of contemporary political phenomena, Arne De Boever explores what positive political possibilities the notion of sovereignty might still hold. Using the philosophy of Catherine Malabou, he argues that these possibilities reside in an aesthetic reconceptualisation of sovereignty as a plastic power that is able to give, receive and explode the forms of our political future. Arne De Boever teaches American Studies in the School of Critical Studies at the California Institute of the Arts. Cover image: Anish Kapoor Unveils Leviathan at Monumenta 2011 (c) Julien Hekimian/Getty Images Cover design: [EUP logo] edinburghuniversitypress.com ISBN [PPC] 978-0-7486-8497-7 ISBN [cover] 978-1-4744-1797-6 Barcode

The first book to comprehensively address W.B. Yeats's engagements across the arts as both writer and cultural worker

'Perhaps you thought you knew Elizabeth Bishop's work: I did. This book proves me gloriously wrong. These essays present a Bishop brilliantly and subtly dynamised for the 21st century--a funnier, sharper, messier, more mysterious and more profound poet than even her longtime admirers might have thought. Informed by recent archival discoveries, ongoing editorial work, and critical élan, Jonathan Ellis and his contributors powerfully and variously re-open "the case of Bishop," with ramifying implications for poetics more generally.' Maureen N. McLane, New York University A comprehensive and original guide to Elizabeth Bishop's poetry and other writing, including correspondence, literary criticism, prose fiction and visual art Celebrating Elizabeth Bishop as an international writer with allegiances to various countries and national traditions, this collection of essays explores how Bishop moves between literal geographies like Nova Scotia, New England, Key West and Brazil and more philosophical categories like home and elsewhere, human and animal, insider and outsider. The book covers all aspects and periods of the author's career, from her early writing in the 1930s to the late poems finished after Geography III and those works published after her death. It also examines how Bishop's work has been read and reinterpreted by contemporary writers. Jonathan Ellis is Reader in American Literature at Sheffield University. Cover image: Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-2133-1 Barcode

A detailed assessment of D. H. Lawrence's wide-ranging engagements across the verbal, visual and performance arts This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, sculpture, music, architecture, dance, historiography, life writing and queer aesthetics. The Companion presents original research on topics such as Lawrence's politics in his art, his representations of technology, his practice of revising and rewriting, and the relationship between his criticism and creation of prose, poetry and painting. This interdisciplinary Companion also makes a strong case for Lawrence's continuing relevance and aesthetic power, as represented by case studies of his afterlives in biofiction, cinema, musical settings and portraiture. Catherine Brown is Head of English and Senior Lecturer in English Literature at the New College of the Humanities, London. She is the author of The Art of Comparison: How Novels and Critics Compare (2011), articles on Lawrence, George Eliot, Henry James and Tolstoy, and is the co-editor of The Reception of George Eliot in Europe (2016). Susan Reid is the Editor of the Journal of D. H. Lawrence Studies. She is the author of D. H. Lawrence, Music and Modernism (2019) and many articles and book chapters on Lawrence and other modernist writers, and the co-editor of Katherine Mansfield and Literary Modernism (2011) and Katherine Mansfield Studies (2010-12).

'From A-Z, this book is full of astute companion writers and scholars entangled in rich webs with the lives and deaths of animals, in story, evolution, politics, science fiction, religion, ethics, queer theory, performance, ordinary living, and more. Here is a book that takes seriously the unanswerable but necessary question that gives the Afterword its title, "Who are these animals I am following?" Follow, read, and emerge in the compost that is always more than human.' Donna Haraway, author of When Species Meet (2008) and Staying with the Trouble (2016) Provides cross-disciplinary perspectives on the study of animals in the humanities This volume critically investigates current topics and disciplines that are affected, enriched or put into dispute by the burgeoning scholarship on animal studies. What new questions and modes of research need come into play if we are to seriously acknowledge our entanglements with other animals? Rather than a narrow specialism, the 34 newly commissioned chapters in this book show how we think of other animals to be intrinsic to fields as major as ethics, economies as widespread as capitalism and relations as common as friendship. Fostering cutting-edge research the Companion opens up new methods, alignments and directions as well as challenges for the future of animal studies. Uniquely, the chapters each focus on a single topic, from 'abjection' to 'voice' and from 'affection' to 'technology', thus embedding the animal question as central to contemporary concerns across a wide range of disciplines. The book concludes with an Afterword by Cary Wolfe, author of Before the Law: Humans and Other Animals in a Biopolitical Frame (2012). Lynn Turner is Senior Lecturer in Visual Cultures at Goldsmiths, University of London. Her research explores how animal and sexual differences matter in visual and aural culture as well as in continental philosophy, literature and psychoanalysis. Undine Sellbach is Senior Lecturer in Philosophy at the University of Dundee. Her research explores the edges of sentience through ethology, psychoanalysis, feminist philosophy of science and performance Ron Broglio is an Associate Professor at Arizona State University. His research focuses on posthuman phenomenology, exploring how philosophy and aesthetics can help us rethink the relationship between humans and the environment. Cover image: Black Tiger, Olly & Suzi, Northern India, 1998, Chinese ink and water on paper, 74 x 102.5cm Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-1841-6 Barcode

A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poem The first comprehensive guide to the prose poem, this book covers the history of the genre from Aloysius Bertrand's Gaspard de la nuit and Baudelaire's Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre's hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre's transformations and variations across the nineteenth and twentieth centuries and into the next. Mary Ann Caws is Distinguished Professor Emerita and Resident Professor of English, French, and Comparative Literature at the City University of New York. She is the author of Creative Gatherings: Meeting Places of Modernism. Michel Delville is Professor of English, American and Comparative Literature at the University of Liège. He is the author of The American Prose Poem: Poetic Form and the Boundaries of Genre.

The Edinburgh Companion to Nonsense is the first comprehensive treatment of its subject across historical periods, languages, cultures and theoretical frameworks. Written by scholars in a range of disciplines from philosophy to music as well as literary critics and linguists, it provides the first overview of nonsense as a vital dimension of human creativity, drawing on insights from theology to queer studies, from India to Russia, and from Ancient Greece to the late modernism of the twentieth century. Responding to a growing interest in nonsense within the academy and reflecting the diversity of understandings that the term inspires, this book aims to advance nonsense as a developing critical field and to inspire new areas of research. Anna Barton is Reader in English at the University of Sheffield. James Williams is Senior Lecturer in English at the University of York.

Provides a pioneering interdisciplinary overview of the literature and music of nine centuries Bringing together sixty-five newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture. This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media. Delia da Sousa Correa is Senior Lecturer in English at the Open University.

EDINBURGH TEXTBOOKS ON THE ENGLISH LANGUAGE - ADVANCED Series Editor: Heinz Giegerich Books in this series provide readers with a detailed description and explanation of key areas of English Language study. The authors presuppose a basic working knowledge of the topic and explore aspects of the linguistics of English for an intermediate or advanced student readership. Morphological Theory and the Morphology of English Jan Don 'Jan Don's lucid and down-to-earth discussion of core phenomena in English morphology is an ideal introduction for advanced students who have the ambition of reading recent primary literature in this area. Don does an excellent job of explaining what problems researchers have been working on, and why. His evaluation of proposed solutions is balanced and insightful. Theoretically informed, unpretentious and fun.' Ad Neeleman, Department of Linguistics, UCL This introduction to morphology offers graduate students and advanced undergraduate students in linguistics an accessible entry point to the primary literature in the field of morphology. The book specifically focuses on generative theories of morphology. It offers a thorough introduction to the many issues which have shaped the field of morphology over the last few decades and in doing so prepares students for further reading and research in the subject. Topics covered include derivation versus inflection, lexical versus syntactic models of morphology, synthetic compounds and storage versus computation. Each chapter provides the reader with suggestions for further reading as well as exercises designed to test understanding of this complex and fascinating field. Jan Don is an Associate Professor of Linguistics at the University of Amsterdam.

[headline]This field-defining collection maps key intersections between sound studies and literary studies Collections on sound studies have seldom explored the vexed relationship between literature - a medium largely defined by its silence - and the dynamics and technologies of sound. This Companion is designed to help sound studies scholars grapple with the auditory capacities of text and encourage literary scholars to take full cognisance of the rich soundscapes mapped, or created, by texts read quietly. The essays assembled here consider a broad range of sound studies topics, including music in writing; the inscription of listening; worlding through sound; military and industrial noise; the gender of sound; racialised soundscapes; theatrical sounds; literature and sound media; and sonic epistemology. Helen Groth and Julian Murphet present a comprehensive set of new research on the relationship between sound and writing over time from a range of eminent, established and emerging sound studies scholars. [bios]Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian Photography and Literary Nostalgia (2004) and Moving Images: Nineteenth-Century Reading and Screen Practices (2013), co-author of Dreams and Modernity: A Cultural History (2013) and co-editor of the forthcoming collection Writing the Global Riot: Literature in a Time of Crisis (2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author of the forthcoming Modern Character: 1888-1905 (2023) and Prison Writing in the Twentieth Century: A Literary Guide (Edinburgh University Press, 2023).

Edinburgh Guides to Islamic Finance Series Editor: Rodney Wilson Edinburgh Guides to Islamic Finance is a series of short guides to key areas in Islamic finance, offering an independent academic perspective and a critical treatment. Product Development in Islamic Banks Habib Ahmed 'Essential reading for those interested in having in-depth knowledge of the nature of product innovation and development in Islamic banks... Habib Ahmed offers new ideas in addressing some of the current challenges in a systematic way in this timely book.' Roszaini Haniffa, Professor of Accounting, Hull University Business School, UK An examination of the process and issues related to developing Islamic financial products for banks. Islamic banking began in the 1970s with the aim of providing financial services compatible with Islamic law. Driven by market forces it has grown rapidly in Muslim countries and in international financial sectors. It is projected to grow at an annual rate of 15-20% and a key factor determining this future growth is the availability of new products that will satisfy the needs of various segments of society. This books shows how the principles and contracts used in Islamic banking and finance can be used to develop financial products. Starting with the basic tenets of Shari'ah and the legal and regulatory environment under which Islamic banks operate, it then discusses the more intricate issues relating to product development processes. Key Features Examines the features of financial products Identifies the 3 phases of the product development cycle Discusses the strengths and weaknesses of the product development system Makes suggestions for the future direction of the Islamic financial industry Habib Ahmed is the Sharjah Chair in Islamic Law and Finance at the University of Durham. Prior to holding this post he worked at the National Commercial Bank and Islamic Research and Training Institute in Saudi Arabia. He is author and editor of numerous book

[headline]Examines Jane Austen's engagement with the broad range of artistic practices featured in her work Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games. [editor biographies]Joe Bray is Professor of Language and Literature at the University of Sheffield. He is the author of books and articles on fiction of the eighteenth and early nineteenth centuries, including The Language of Jane Austen (2018) and The Portrait in Fiction of the Romantic Period (2016). Hannah Moss works in the heritage industry. She completed her PhD at the University of Sheffield and is the co-editor of a special issue of the journal Women's Writingo on the topic of women writers and the creative arts in Britain, 1660-1830. She has also published articles on Germaine de Staël, Ann Radcliffe and Felicia Hemans.

Brings together the philosophy of art and aesthetics with debates about political theology and sovereignty.

This book resorts to a new, intermedial method in order to reconstruct the history of Brazilian cinema. From its inception Brazilian cinema has combined extra-filmic artistic and medial forms, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts have left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: screen and stage interactions in the silent era; the chanchada musical comedies, inflected by vaudeville theatre and the radio; Glauber Rocha's intermedial cosmogony; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations among others. By adopting intermediality as a historiographic method, this book will bring to the public, for the first time, the polymathic cultural wealth behind filmic expressions in Brazilian cinema through the lens of its most authoritative experts. Lúcia Nagib is Professor of Film at the University of Reading. Her many books include Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema (2020), World Cinema and the Ethics of Realism (2011) and Brazil on Screen: Cinema Novo, New Cinema, Utopia (2007). She is the co-director with Samuel Paiva of the award-winning documentary Passages. She is editor, with Julian Ross, of the World Cinema series and, with Tiago de Luca, of the Film Thinks series. Luciana Corrêa de Araújo is Assistant Professor at the Federal University of São Carlos (UFSCar), Brazil. She is the author of A crônica de cinema no Recife dos anos 50 (1997) and Joaquim Pedro de Andrade: primeiros tempos (2013) and co-editor of Estudos de cinema e audiovisual Socine Estadual São Paulo (2012). Tiago de Luca is Reader in Film Studies at the University of Warwick. He is the author of Planetary Cinema: Film, Media and the Earth (2022), Realism of the Senses in World Cinema: The Experience of Physical Reality (2014) and the editor (with Nuno Barradas Jorge) of Slow Cinema (2016). He is the editor (with Lúcia Nagib) of the Film Thinks series.

Law Making and The Scottish Parliament: The Early Years offers the first wide-ranging critical analysis of legislative developments in those areas of law and policy devolved to the Scottish Parliament under the devolution settlement. It begins with a brief account of the devolution settlement and summarises the themes emerging from the subsequent chapters. Thereafter, fifteen themed chapters, each dedicated to a discrete area of the law and written by an acknowledged expert in the field, provide critical evaluation of the Scottish Parliament's contribution, highlighting what it has achieved, what it has failed to do and what might be done in the future. In a single volume, Law Making and The Scottish Parliament: The Early Years provides a scholarly evaluation of the legislative achievements of Scotland's devolved parliament in its first decade. It will appeal to legal and other scholars and students, lawyers and anyone with an interest in Scottish politics, policy-making and law. Edited by Professor Elaine E. Sutherland, Dr. Kay E. Goodall, Professor Gavin F.M. Little and Professor Fraser P. Davidson, all of the School of Law, University of Stirling.